Si Ronda was adapted from a
Betawi oral tradition similar to a stage play) popular with
ethnic Chinese and
native audiences of the time. The Ronda stories follow the Betawi bandit of the same name, who is skilled at
silat (traditional martial arts) and reputed to take from the rich to give to the poor.
 The Indonesian film scholar
Misbach Yusa Biran suggests that Ronda was selected for adaptation because of its potential action sequences. In the domestic cinema, such sequences had generally been inspired by American works and been well received by audiences.
Similar stories to Si Ronda's include those of Si Jampang and
Si Pitung; these stage plays centred on extraordinary men (referred to as jago) who, though living outside the law, generally fought for the common populace. Adaptations of the genre, manifested as bandit films, became popular in domestic cinema following the release of
Si Tjonat by Batavia Motion Picture in 1929. This release was followed by the
Wong brothers' Rampok Preanger (also 1929), and an
adaptation of the Si Pitung stories in 1931.
 Not all films in this genre, which consisted of a quarter of all
domestic releases for 1929–1931, maintained the heroic qualities of the central character: the Wongs' adaptation of Si Pitung, for instance, portrayed him as a simple bandit and not the
Robin Hood figure of stage.
Si Ronda was directed by
Lie Tek Swie and produced by Tan Khoen Yauw of
Tan's Film. The two had previously worked together on the company's highly profitable
Njai Dasima in 1929.
Cinematography was handled by A. Loepias. Shot in black-and-white, this
silent film starred
Bachtiar Effendi, a set decorator with Tan's, in his on-screen debut playing the title role. It also featured Momo, an actor who had appeared in the film Njai Dasima.