Panoramic view at the Philae Temple, at its current location on
Philae is mentioned by numerous ancient writers, including
Pliny the Elder.
 It was, as the plural name indicates, the appellation of two small islands situated in latitude
24° north, just above the First Cataract near
Aswan (Egyptian Swenet "Trade;"
Ancient Greek: Συήνη). Groskurd
 computes the distance between these islands and Aswan at about 100 km (62 mi).
Despite being the smaller island, Philae proper was, from the numerous and picturesque ruins formerly there, the more interesting of the two. Prior to the inundation, it was not more than 380 metres (1,250 ft) long and about 120 metres (390 ft) broad. It is composed of
syenite: its sides are steep and on their summits a lofty wall was built encompassing the island.
Since Philae was said to be one of the burying-places of
Osiris, it was held in high reverence both by the Egyptians to the north and the
Nubians (often referred to as "Ethiopians" in Greek) to the south. It was deemed profane for any but priests to dwell there and was accordingly sequestered and denominated "the Unapproachable" (
Ancient Greek: ἄβατος).
 It was reported too that neither birds flew over it nor fish approached its shores.
 These indeed were the traditions of a remote period; since in the time of the
Ptolemaic Kingdom, Philae was so much resorted to, partly by pilgrims to the tomb of Osiris, partly by persons on secular errands, that the priests petitioned
Ptolemy VIII Physcon (170-117 BC) to prohibit public functionaries at least from coming there and living at their expense.
In the nineteenth century,
William John Bankes took the
Philae obelisk on which this petition was engraved to
England. When its
Egyptian hieroglyphs were compared with those of the
Rosetta Stone, it threw great light upon the Egyptian consonantal alphabet.
The islands of Philae were not, however, merely sacerdotal abodes; they were the centres of commerce also between
Memphis. For the rapids of the cataracts were at most seasons impracticable, and the commodities exchanged between Egypt and Nubia were reciprocally landed and re-embarked at Syene and Philae.
quarries also attracted a numerous population of miners and stonemasons; and, for the convenience of this traffic, a gallery or road was formed in the rocks along the east bank of the Nile, portions of which are still extant.
Philae also was remarkable for the singular effects of light and shade resulting from its position near the
Tropic of Cancer. As the sun approached its northern limit the shadows from the projecting cornices and moldings of the temples sink lower and lower down the plain surfaces of the walls, until, the sun having reached its highest altitude, the vertical walls are overspread with dark shadows, forming a striking contrast with the fierce light which illuminates all surrounding objects.
The most conspicuous feature of both islands was their architectural wealth. Monuments of various eras, extending from the Pharaohs to the Caesars, occupy nearly their whole area. The principal structures, however, lay at the south end of the smaller island.
The most ancient was a temple for
Isis, built in the reign of
Nectanebo I during 380-362 BC, which was approached from the river through a double
colonnade. Nekhtnebef was his
ancient Egyptian royal titulary and he became the founding pharaoh of the
Thirtieth and last native dynasty when he deposed and killed
For the most part, the other ruins date from the Ptolemaic Kingdom, more especially with the reigns of
Ptolemy II Philadelphus,
Ptolemy V Epiphanes, and
Ptolemy VI Philometor (282-145 BC), with many traces of
Roman work in Philae dedicated to
In front of the propyla were two colossal
lions in granite, behind which stood a pair of
obelisks, each 13 metres (43 ft) high. The propyla were pyramidal in form and colossal in dimensions. One stood between the
pronaos, another between the pronaos and the
portico, while a smaller one led into the sekos or
adyton. At each corner of the adytum stood a monolithic shrine, the cage of a sacred hawk. Of these shrines one is now in the
Louvre, the other in the Museum at
Beyond the entrance into the principal court are small temples, one of which, dedicated to Isis, Hathor, and a wide range of deities related to
midwifery, is covered with sculptures representing the birth of Ptolemy Philometor, under the figure of the god
Horus. The story of
Osiris is everywhere represented on the walls of this temple, and two of its inner chambers are particularly rich in symbolic imagery. Upon the two great propyla are Greek inscriptions intersected and partially destroyed by Egyptian figures cut across them.
The monuments in both islands indeed attested, beyond any others in the Nile valley, the survival of pure Egyptian art centuries after the last of the Pharaohs had ceased to reign. Great pains have been taken to mutilate the sculptures of this temple. The work of demolition is attributable, in the first instance, to the zeal of the
early Christians, and afterward, to the policy of the
Iconoclasts, who curried favour for themselves with the
Byzantine court by the destruction of
heathen images as well as Christian ones. It's notable that images/icons of Horus are often less mutilated than the other carvings. In some wall scenes, every figure and hieroglyphic text except that of Horus and his winged solar-disk representation have been meticulously scratched out by early Christians. This is presumably because the early Christians had some degree of respect for Horus or the legend of Horus - it may be because they saw parallels between the stories of Jesus and Horus (see
Jesus in comparative mythology#Ancient Egypt).
The soil of Philae had been prepared carefully for the reception of its buildings–being leveled where it was uneven, and supported by masonry where it was crumbling or insecure. For example, the western wall of the Great Temple, and the corresponding wall of the dromos, were supported by very strong foundations, built below the pre-inundation level of the water, and rested on the granite which in this region forms the bed of the Nile. Here and there steps were hewn out from the wall to facilitate the communication between the temple and the river.
At the southern extremity of the dromos of the Great Temple was a smaller temple, apparently dedicated to
Hathor; at least the few columns that remained of it are surmounted with the head of that goddess. Its portico consisted of twelve columns, four in front and three deep. Their
capitals represented various forms and combinations of the
palm branch, the
doum palm branch, and the
lotus flower. These, as well as the sculptures on the columns, the ceilings, and the walls were painted with the most vivid colors, which, owing to the dryness of the climate, have lost little of their original brilliance.