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Narration is the use of a written or spoken commentary to convey a
A narrator is a personal character or a non-personal voice that the creator (author) of the story develops to deliver information to the audience, particularly about the
Narration encompasses not only who tells the story, but also how the story is told (for example, by using
Narrative point of view or narrative perspective describes the position of the narrator, that is, the character of the storyteller, in relation to the story being told. It can be thought of as a camera mounted on the narrator's shoulder that can also look back inside the narrator's mind.
With the first-person point of view, a story is revealed through a narrator who is also explicitly a
The second-person point of view is a point of view where the audience is made a character. This is done with the use of the pronouns "you", "your", and "yours." The narrator is trying to address the audience, not necessarily directly, but rather to administer more of a connection. Stories and novels in second person are comparatively rare. Examples include the short fiction of
"You are not the kind of guy who would be at a place like this at this time of the morning. But here you are, and you cannot say that the terrain is entirely unfamiliar, although the details are fuzzy." —Opening lines of
Jay McInerney's Bright Lights, Big City(1984)
In the third-person narrative mode, characters are referred to by the narrator as "he", "she", or "they", but never as "I" or "we" (first-person), or "you" (second-person). This makes it clear that the narrator is an unspecified
Traditionally, third-person narration is the most commonly used narrative mode in literature. It does not require that the narrator's existence be explained or developed as a particular character, as with a first-person narrator. It thus allows a story to be told without detailing any information about the teller (narrator) of the story. Instead, a third-person narrator is often simply some disembodied "commentary" or "voice", rather than a fully developed character. Sometimes, third-person narration is called the "he/she" perspective.
The third-person modes are usually categorized along two axes. The first is the subjectivity/objectivity axis, with third person subjective narration describing one or more character's personal feelings and thoughts, and third person objective narration not describing the feelings or thoughts of any characters but, rather, just the exact facts of the story. The second axis is the omniscient/limited axis, a distinction that refers to the knowledge held by the narrator. A third person omniscient narrator has, or seems to have, access to knowledge of all characters, places, and events of the story, including any given characters' thoughts; however, a third person limited narrator, in contrast, knows information about, and within the minds of, only a limited number of characters (often just one character). A limited narrator cannot describe anything outside of a focal character's particular knowledge and experiences.
While the tendency for novels (or other narrative works) is to adopt a single point of view throughout the entire novel, some authors have experimented with other points of view that, for example, alternate between different narrators who are all first-person, or alternate between a first- and a third-person narrative perspective. The ten books of the