Louis Durey was born in
Paris, the son of a local businessman. It was not until he was nineteen years old that he chose to pursue a musical career after hearing a performance of a
Claude Debussy work. As a composer he was primarily self-taught. From the beginning, choral music was of great importance in Durey’s productivity. His L'Offrande Lyrique (1914) has been called the first piece of French
 The first of his works to gain recognition in the music world was for a piano duet titled Carillons. At a 1918 concert this work attracted the interest of
Maurice Ravel, who recommended him to his publisher.
Durey communicated with his colleague,
Darius Milhaud, and asked him to contribute a piano piece that would bring together the six composers who, in 1920 were dubbed
Les Six. This joint project was
L'Album des Six. Despite the acclaim they received, Durey did not participate in the group's 1921 collaborative work
Les mariés de la tour Eiffel,
 a decision which was a source of great irritation to
After the Les Six period, Durey continued with his career. Never feeling the need to belong to the musical establishment, he voiced his growing left-wing ideals that put him in an artistic isolation that lasted for the rest of his life.
Following the break with Cocteau, Durey withdrew to his home in
Provence-Alpes-Côte d'Azur, in the south of France. In addition to chamber music, at Saint-Tropez he wrote his only opera, L'occasion. In 1929, he married Anne Grangeon and moved back to Paris the following year. In the mid-thirties he joined the
Communist Party and became active in the newly formed
Fédération Musicale Populaire. During the years of the
Nazi occupation of
World War II, he worked with the
French Resistance as a prominent member of the
Front National des Musiciens and wrote
anti-Fascist songs. After the war he embraced hard-line communism and his uncompromising political attitudes hindered his career. Needing to earn a living, in 1950 he accepted the post of music critic for a communist newspaper in Paris.
In the late 1950s and early 1960s he continued to compose but produced nothing of significance. His work on
Vietnamese themes in the 1960s, based on his disgust with the turmoil France had left in Vietnam (formerly
French Indochina) and the ensuing
Vietnam War, seemed at that time in Paris to be a voice in the wilderness. He set poems by
Ho Chi Minh and
Mao Zedong. Other works include a string quartet, a flute sonatina, and Images à Crusoe.
Probably the least remembered of Les Six, Louis Durey died at Saint-Tropez in 1979.