Joy Division

Joy Division
Joy Division promo photo.jpg
Joy Division c. 1979:
Morris, Curtis, Sumner, Hook
Background information
Also known asWarsaw
(May 1977 – January 1978)
OriginSalford, Greater Manchester, England
GenresPost-punk
Years active1976–1980
LabelsFactory
Associated actsNew Order
Websitejoydivisionofficial.com
Past members

Joy Division were an English rock band formed in 1976 in Salford, Greater Manchester. The band consisted of singer Ian Curtis, guitarist and keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris.

Sumner and Hook formed the band after attending a Sex Pistols concert. While their early recordings were heavily influenced by early punk, they soon developed a unique style that made them one of the pioneers of the post-punk movement. Their self-released 1978 debut EP An Ideal for Living drew the attention of the Manchester television personality Tony Wilson, who signed them to his independent label Factory Records. Their debut album Unknown Pleasures, recorded with producer Martin Hannett, was released in 1979.

Curtis suffered from personal problems including a failing marriage, depression, and epilepsy. As the band's popularity grew, Curtis's condition made it increasingly difficult for him to perform; he occasionally experienced seizures on stage. He committed suicide on the eve of the band's first American tour in May 1980, aged 23. Joy Division's second and final album, Closer, was released two months later; it and single "Love Will Tear Us Apart" became their highest charting releases.

The remaining members regrouped under the name New Order. They were successful throughout the next decade, blending post-punk with electronic and dance music influences.[1]

History

Formation

On the 20th of July 1976, childhood friends Bernard Sumner and Peter Hook separately attended a Sex Pistols show at the Manchester Lesser Free Trade Hall. Both were inspired by the Pistols' performance. Sumner said that he felt the Pistols "destroyed the myth of being a pop star, of a musician being some kind of god that you had to worship".[2] The following day Hook borrowed £35 from his mother to buy a bass guitar.[3] They formed a band with Terry Mason, who had also attended the gig; Sumner bought a guitar, and Mason a drum kit. After their schoolfriend Martin Gresty declined an invitation to join as vocalist after getting a job at a factory,[4] the band placed an advertisement for a vocalist in the Manchester Virgin Records shop. Ian Curtis, who knew them from earlier gigs, responded and was hired without audition.[2] Sumner said that he "knew he was all right to get on with and that's what we based the whole group on. If we liked someone, they were in."[5]

Buzzcocks manager Richard Boon and frontman Pete Shelley have both been credited with suggesting the band name "Stiff Kittens", but the band settled on "Warsaw" shortly before their first gig, a reference to David Bowie's song "Warszawa".[6][7][8] Warsaw debuted on 29 May 1977 at the Electric Circus, supporting the Buzzcocks, Penetration and John Cooper Clarke.[8] Tony Tabac played drums that night after joining the band two days earlier.[8][9] Reviews in the NME by Paul Morley and in Sounds by Ian Wood brought them immediate national exposure.[10][11] Mason became the band's manager and Tabac was replaced on drums in June 1977 by Steve Brotherdale, who also played in the punk band Panik.[12] Brotherdale tried to get Curtis to leave the band and join Panik, and even had Curtis audition.[13][14] In July 1977, Warsaw recorded five demo tracks at Pennine Sound Studios, Oldham.[15] Uneasy with Brotherdale's aggressive personality, the band fired him soon after the sessions; driving home from the studio, they pulled over and asked Brotherdale to check on a flat tyre; when he got out of the car, they drove off.[16]

In August 1977, Warsaw placed an advertisement in a music shop window seeking a replacement drummer. Stephen Morris, who had attended the same school as Curtis, was the sole respondent. Deborah Curtis, Ian's wife, stated that Morris "fitted perfectly" with the band, and that with his addition Warsaw became a "complete 'family'".[17] To avoid confusion with the London punk band Warsaw Pakt, the band renamed themselves Joy Division in early 1978, borrowing the name from the sexual slavery wing of a Nazi concentration camp mentioned in the 1955 novel House of Dolls.[14][18] In December, the group recorded their debut EP, An Ideal for Living, at Pennine Sound Studio and played their final gig as Warsaw on New Year's Eve at the Swinging Apple in Liverpool.[19] Billed as Warsaw to ensure an audience, the band played their first gig as Joy Division on 25 January 1978 at Pip's Disco in Manchester.[20]

Early releases

Joy Division were approached by RCA Records to record a cover of Nolan "N.F." Porter's "Keep on Keepin' On" at a Manchester recording studio. The band spent late March and April 1978 writing and rehearsing material.[21] During the Stiff/Chiswick Challenge concert at Manchester's Rafters Club on 14 April, they caught the attention of music producer Tony Wilson and manager Rob Gretton. Curtis berated Wilson for not putting the group on his Granada Television show So It Goes; Wilson responded that Joy Division would be the next band he would showcase on TV.[22] Gretton, the venue's resident DJ, was so impressed by the band's performance that he convinced them to take him on as their manager.[3] Gretton, whose "dogged determination" was later credited for much of the band's public success, contributed the business skills to provide Joy Division with a better foundation for creativity.[23][24] Joy Division spent the first week of May 1978 recording at Manchester's Arrow Studios. The band were unhappy with the Grapevine Records head John Anderson's insistence on adding synthesiser into the mix to soften the sound, and asked to be dropped from the contract with RCA.[25][26]

Joy Division made their recorded debut in June 1978 when the band self-released An Ideal for Living, and two weeks later their track "At a Later Date" was featured on the compilation album Short Circuit: Live at the Electric Circus (which had been recorded live in October 1977).[27][28] In the Melody Maker review, Chris Brazier said that it "has the familiar rough-hewn nature of home-produced records, but they're no mere drone-vendors—there are a lot of good ideas here, and they could be a very interesting band by now, seven months on".[29] The packaging of An Ideal for Living—which featured a drawing of a Hitler Youth member on the cover—coupled with the nature of the band's name fuelled speculation about their political affiliations.[30] While Hook and Sumner later said they were intrigued by fascism at the time, Morris believed that the group's dalliance with Nazi imagery came from a desire to keep memories of the sacrifices of their parents and grandparents during World War II alive. He argued that accusations of neo-Nazi sympathies merely provoked the band "to keep on doing it, because that's the kind of people we are".[18]

In September 1978, Joy Division made their television debut performing "Shadowplay" on So It Goes, with an introduction by Wilson.[31] In October,[32] Joy Division contributed two tracks recorded with producer Martin Hannett to the compilation double-7" EP A Factory Sample, the first release by Tony Wilson's record label, Factory Records. In the NME review of the EP, Paul Morley praised the band as "the missing link" between Elvis Presley and Siouxsie and the Banshees.[33] Joy Division joined Factory's roster, after buying themselves out of the RCA deal.[34][35] Gretton was made a label partner to represent the interests of the band.[36] On 27 December, during the drive home from gig at the Hope and Anchor in London, Curtis suffered his first recognised severe epileptic seizure and was hospitalised.[37] Meanwhile, Joy Division's career progressed, and Curtis appeared on the 13 January 1979 cover of NME. That month the band recorded their session for BBC Radio 1 DJ John Peel. According to Deborah Curtis, "Sandwiched in between these two important landmarks was the realisation that Ian's illness was something we would have to learn to accommodate".[38]

Unknown Pleasures and breakthrough

Joy Division recorded their debut album, Unknown Pleasures at Strawberry Studios, Stockport, in April 1979.[39] Producer Martin Hannett significantly altered their live sound, a fact that greatly displeased the band at the time; however, in 2006, Hook said that in retrospect Hannet had done a good job and "created the Joy Division sound".[40][41] The album cover was designed by Peter Saville, who went on to provide artwork for future Joy Division releases.[42]

Unknown Pleasures was released in June and sold through its initial pressing of 10,000 copies. Wilson said the success turned the indie label into a true business and a "revolutionary force" that operated outside of the major record label system.[36] Reviewing the album for Melody Maker, writer Jon Savage described the album as an "opaque manifesto" and declared it "one of the best, white, English, debut LPs of the year".[43]

Joy Division performed on Granada TV again in July 1979, and made their only nationwide TV appearance in September on BBC2's Something Else. They supported the Buzzcocks in a 24-venue UK tour that began that October, which allowed the band to quit their regular jobs.[2] The non-album single "Transmission" was released in November. Joy Division's burgeoning success drew a devoted following who were stereotyped as "intense young men dressed in grey overcoats".[44]

Closer and health problems

Joy Division toured Continental Europe in January 1980. Although the schedule was demanding, Curtis experienced only two grand mal seizures, both in the final two months of the tour.[45] That March, the band recorded their second album, Closer, with Hannett at London's Britannia Row Studios.[46] That month they released the "Licht und Blindheit" single, with "Atmosphere" as the A-side and "Dead Souls" as the B-side, on the French independent label Sordide Sentimental.[47]

A lack of sleep and long hours destabilised Curtis's epilepsy, and his seizures became almost uncontrollable.[48] He often had seizures during performances, which some audience members believed was part of the performance. The seizures left him feeling ashamed and depressed, and the band became increasingly worried about Curtis's condition.[49] On 7 April, Curtis attempted suicide by overdosing on his anti-seizure medication, phenobarbitone.[2] The following evening, Joy Division were scheduled to play a gig at the Derby Hall in Bury.[50] Curtis was too ill to perform, so at Gretton's insistence the band played a combined set with Alan Hempsall of Crispy Ambulance and Simon Topping of A Certain Ratio singing on the first few songs. When Topping came back towards the end of the set, some audience members threw bottles at the stage. Curtis's ill health lead to the cancellation of several other gigs that April. Joy Division's final live performance was held at the University of Birmingham's High Hall on 2 May, and included their only performance of "Ceremony", one of the last songs written by Curtis.[51]

"Basically, we want to play and enjoy what we like playing. I think that when we stop doing that, I think, well, that will be time to pack it in. That will be the end."

Ian Curtis, Radio Lancashire interview, 1979.[52]

Hannett's production has been widely praised.[53] However, as with Unknown Pleasures, both Hook and Sumner were unhappy with the production. Hook said that when he heard the final mix of "Atrocity Exhibition" he was disappointed that the abrasiveness had been toned down. He wrote; "I was like, head in hands, 'Oh fucking hell, it's happening again ... Martin had fucking melted the guitar with his Marshall Time Waster. Made it sound like someone strangling a cat and, to my mind, absolutely killed the song. I was so annoyed with him and went in and gave him a piece of my mind but he just turned round and told me to fuck off."[54]

Curtis's suicide and aftermath

Joy Division were scheduled to commence their first American tour in May 1980. Curtis had expressed enthusiasm about the tour,[55] but his relationship with his wife, Deborah, was under strain; Deborah was excluded from the band's inner circle, and Curtis was having an affair with Belgian journalist and music promoter Annik Honoré, whom he met on tour in Europe in 1979. He was also anxious about how American audiences would react to his epilepsy.[55]

The evening before the band were due to depart for America, Curtis returned to his Macclesfield home to talk to Deborah. He asked her to drop an impending divorce suit, and asked her to leave him alone in the house until he caught a train to Manchester the following morning.[56] Early on 18 May 1980, having spent the night watching the Werner Herzog film Stroszek, Curtis hung himself in his kitchen. Deborah discovered his body later that day when she returned.[57]

The suicide shocked the band and their management. In 2005, Wilson said: "I think all of us made the mistake of not thinking his suicide was going to happen ... We all completely underestimated the danger. We didn't take it seriously. That's how stupid we were."[46] Music critic Simon Reynolds said Curtis's suicide "made for instant myth".[58] Jon Savage's obituary said that "now no one will remember what his work with Joy Division was like when he was alive; it will be perceived as tragic rather than courageous".[59] In June 1980, Joy Division's single "Love Will Tear Us Apart" was released, which hit number thirteen on the UK Singles Chart.[60] In July 1980, Closer was released, and peaked at number six on the UK Albums Chart.[2] NME reviewer Charles Shaar Murray wrote, "Closer is as magnificent a memorial (for 'Joy Division' as much as for Ian Curtis) as any post-Presley popular musician could have."[61]

Morris said that even without Curtis's death, it was unlikely that Joy Division would have endured.[62] The members had made a pact long before Curtis's death that, should any member leave, the remaining members would change the band name.[51] The band re-formed as New Order, with Sumner on vocals; they later recruited Morris's girlfriend Gillian Gilbert as keyboardist and second guitarist. Gilbert had befriended the band and played guitar at a Joy Division performance when Curtis had been unable to play.[63]

New Order's debut single, "Ceremony" (1981), was formed from the last two songs written with Curtis.[64] New Order struggled in their early years to escape the shadow of Joy Division, but went on to achieve far greater commercial success with a different, more upbeat and dance-orientated sound.[1]

Various Joy Division outtakes and live material have been released. Still, featuring live tracks and rare recordings was issued in 1981. Factory issued the Substance compilation in 1988, including several out-of-print singles.[65] Permanent was released in 1995 by London Records, which had acquired the Joy Division catalogue after Factory's 1992 bankruptcy. A comprehensive box set, Heart and Soul, appeared in 1997.

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