Early life in the Russian Empire
Stravinsky was born on 17 June 1882 in
Oranienbaum, a suburb of
Saint Petersburg, the
Russian imperial capital, and was brought up in Saint Petersburg. His parents were both from Ukraine:
Fyodor Stravinsky, a
bass singer at the
Kiev opera house 1873–76, and at the
Mariinsky Theatre in St. Petersburg, and Anna (née Kholodovsky), native to
Kiev, one of four daughters of a high-ranking official in the Kiev Ministry of Estates. It is believed that Stravinsky’s ancestry is traceable back to the 17th and 18th centuries, to the bearers of the Soulima and Strawinski Coat of Arms.
Ivan Sulima, was a famous Ukrainian hetman 1628–1635. Stravinsky's family branch most likely came from Stravinskas, polonized Lithuanian (or Belarussian) land owners, and nobles of
Grand Duchy of Lithuania (which would include Jerzy and his son Stanisław Strawiński).
 According to Igor Stravinsky himself, originally his family had Soulima-Stravinsky surname, and that the name "Stravinsky" originated from the word "Strava", which is one of the variants of the
Streva River in
Kaunas District). It is still unclear to when exactly the Soulima part of the surname was dropped.
 Stravinsky recalled his schooldays as being lonely, later saying that "I never came across anyone who had any real attraction for me". Stravinsky began piano lessons as a young boy, studying music theory and attempting composition. In 1890, he saw a performance of
The Sleeping Beauty at the Mariinsky Theatre. By age fifteen, he had mastered
Piano Concerto in G minor and finished a piano reduction of a
string quartet by
Glazunov, who reportedly considered Stravinsky unmusical, and thought little of his skills.
Despite his enthusiasm for music, his parents expected him to study law. Stravinsky enrolled at the
University of Saint Petersburg in 1901, but he attended fewer than fifty class sessions during his four years of study. In the summer of 1902 Stravinsky stayed with composer
Nikolai Rimsky-Korsakov and his family in the German city of
Heidelberg, where Rimsky-Korsakov, arguably the leading Russian composer at that time, suggested to Stravinsky that he should not enter the Saint Petersburg Conservatoire, but instead study composing by taking private lessons, in large part because of his age. Stravinsky's father died of cancer that year, by which time his son had already begun spending more time on his musical studies than on law. The university was closed for two months in 1905 in the aftermath of
Bloody Sunday: Stravinsky was prevented from taking his final law examinations and later received a half-course diploma in April 1906. Thereafter, he concentrated on studying music. In 1905, he began to take twice-weekly private lessons from Rimsky-Korsakov, whom he came to regard as a second father. These lessons continued until Rimsky-Korsakov's death in 1908.
In 1905 Stravinsky was betrothed to his cousin Yekaterina Gavrilovna Nosenko (called "Katya"), whom he had known since early childhood. In spite of the
Orthodox Church's opposition to marriage between first cousins, the couple married on 23 January 1906: their first two children, Fyodor (Theodore) and Ludmila, were born in 1907 and 1908, respectively.
In February 1909, two orchestral works, the
Scherzo fantastique and
Feu d'artifice (Fireworks) were performed at a concert in Saint Petersburg, where they were heard by Sergei Diaghilev, who was at that time involved in planning to present Russian opera and ballet in Paris. Diaghilev was sufficiently impressed by Fireworks to commission Stravinsky to carry out some
orchestrations and then to compose a full-length ballet score, The Firebird.
Stravinsky and Ukraine
Igor Stravinsky's house-museum in
Early period of Igor Stravinsky’s work would be incomplete without in-depth research of his life while in Ukraine, as well as his connection with the
Ukrainian culture. Besides the Ukrainian ancestry of Stravinsky on both father’s and mother’s side, he maintained his personal connection with the culture of his family for as long as it was possible in a difficult political situation of that time.
From approximately 1890 till 1914 the composer was frequently visiting
Ustyluh, town in
 He spent most of his summers there and that’s where he met his cousin, Katherine Nosenko (daughter of his mother’s sister) who he married in 1906. In 1907 Stravinsky designed and built his own house in Ustyluh where his own family stayed often during summer times until 1914.
 His new Ukrainian home he called “My heavenly place”. In this house Igor Stravinsky worked on his seventeen early compositions, among which were orchestral fantasy
The Rite of Spring. Currently, after its renovation this house is the only composers house-museum opened to the public. There are many documents, letters, and photographs on a display there, and there is a Stravinsky Festival held annually in the nearby town
It is quite natural that Igor Stravinsky expressed his fascination and deep understanding of the Ukrainian folk elements in his early orchestral compositions, as well as his revolutionary ballets. Based on the significant composer’s output of that period, it is apparent that the inspiration to write such rich in folk element masterpieces was drawn from the legends, melodies, and sounds of the Ukrainian tradition. In turn, the Ukrainian culture is deeply rooted in thousands of years old the
Kievan Rus’ and
Life in Switzerland
Vaslav Nijinsky as Petrushka in 1910–11
Stravinsky became an overnight sensation following the success of The Firebird's premiere in Paris on 25 June 1910.
The composer had travelled from his estate in
Ukraine, to Paris in early June to attend the final rehearsals and the premiere of The Firebird. His family joined him before the end of the ballet season and they decided to remain in the West for a time, as his wife was expecting their third child. After spending the summer in
La Baule, Brittany, they moved to Switzerland in early September. On the 23rd, their second son
Sviatoslav Soulima was born at a maternity clinic in Lausanne; at the end of the month, they took up residence in
Over the next four years, Stravinsky and his family lived in Russia during the summer months and spent each winter in Switzerland. During this period, Stravinsky composed two further works for the Ballets Russes: Petrushka (1911), and
Le Sacre du printemps (The Rite of Spring; 1913).
Shortly following the premiere of The Rite of Spring, Stravinsky contracted typhoid from eating bad oysters, and was confined to a Paris nursing home, unable to depart for Ustilug until 11 July.
During the remainder of the summer, Stravinsky turned his attention to completing his first opera,
The Nightingale (usually known by its French title Le Rossignol), which he had begun in 1908 (that is, before his association with the Ballets Russes).
 The work had been commissioned by the Moscow Free Theatre for the handsome fee of 10,000 roubles.
The Stravinsky family returned to Switzerland (as usual) in the fall of 1913. On 15 January 1914, a fourth child, Marie Milène (or Maria Milena), was born in Lausanne. After her delivery, Katya was discovered to have
tuberculosis and confined to the
Leysin, high in the Alps. Igor and the family took up residence nearby, and he completed Le Rossignol there on 28 March.
In April, they were finally able to return to Clarens. By then, the Moscow Free Theatre had gone bankrupt. As a result, Le Rossignol was first performed under Diaghilev's auspices at the Paris Opéra on 26 May 1914, with sets and costumes designed by
Alexandre Benois. Le Rossignol enjoyed only lukewarm success with the public and the critics, apparently because its delicacy did not meet their expectations of the composer of The Rite of Spring.
 However, composers including
Béla Bartók, and
Reynaldo Hahn found much to admire in the score's craftsmanship, even alleging to detect the influence of
In July, with war looming, Stravinsky made a quick trip to Ustilug to retrieve personal effects including his reference works on Russian folk music. He returned to Switzerland just before national borders closed following the outbreak of
World War I. The War and subsequent
Russian Revolution made it impossible for Stravinsky to return to his homeland, and he did not set foot upon Russian soil again until October 1962.
In June 1915, Stravinsky and his family moved from Clarens to
Morges, a town 6 miles south-west of Lausanne on the shore of Lake Geneva. The family continued to live there (at three different addresses) until 1920.
Stravinsky struggled financially during this period. Russia (and its successor, the USSR) did not adhere to the
Berne Convention and this created problems for Stravinsky when collecting royalties for the performances of all his Ballets Russes compositions. Stravinsky blamed Diaghilev for his financial troubles, accusing him of failing to live up to the terms of a contract they had signed. He approached the Swiss philanthropist
Werner Reinhart for financial assistance during the time he was writing
L'Histoire du soldat (The Soldier's Tale). Reinhart sponsored and largely underwrote its first performance, conducted by
Ernest Ansermet on 28 September 1918 at the Théâtre Municipal de Lausanne. In gratitude, Stravinsky dedicated the work to Reinhart and gave him the original manuscript. Reinhart supported Stravinsky further when he funded a series of concerts of his chamber music in 1919: included was a suite from Histoire du soldat arranged for violin, piano and clarinet, which was first performed on 8 November 1919, in Lausanne. In gratitude to his benefactor, Stravinsky also dedicated his Three Pieces for Clarinet (October–November 1918) to Reinhart, who was an excellent amateur clarinetist.
Life in France
Stravinsky as drawn by
in Paris on 31 December 1920
Following the premiere of
Pulcinella by the Ballets Russes in Paris on 15 May 1920, Stravinsky returned to Switzerland. On 8 June, the entire family left Morges for the last time, and moved to the fishing village of Carantec in Brittany for the summer while also seeking a new home in Paris. On hearing of their dilemma, couturière
Coco Chanel invited Stravinsky and his family to reside at her new mansion "Bel Respiro" in the Paris suburb of Garches until they could find a more suitable residence; they arrived during the second week of September. At the same time, Chanel also guaranteed the new (December 1920) Ballets Russes production of Stravinsky's
Le Sacre du Printemps (The Rite of Spring) with an anonymous gift to Diaghilev, said to have been 300,000 francs.
Stravinsky formed a business and musical relationship with the French piano manufacturing company
Pleyel. Pleyel essentially acted as his agent in collecting
mechanical royalties for his works and provided him with a monthly income and a studio space at its headquarters in which he could work and entertain friends and business acquaintances.
 Under the terms of his contract with the company, Stravinsky agreed to arrange (and to some extent re-compose) many of his early works for the Pleyela, Pleyel's brand of
player piano. He did so in a way that made full use of all of the piano's eighty-eight notes, without regard for human fingers or hands. The rolls were not recorded, but were instead marked up from a combination of manuscript fragments and handwritten notes by
Jacques Larmanjat, musical director of Pleyel's roll department. Among the compositions that were issued on the Pleyela
piano rolls are The Rite of Spring, Petrushka, The Firebird and Song of the Nightingale. During the 1920s, Stravinsky recorded Duo-Art rolls for the
Aeolian Company in both London and New York, not all of which have survived.
Patronage was never far away. In the early 1920s,
Leopold Stokowski gave Stravinsky regular support through a pseudonymous 'benefactor'.
Vera de Bosset in Paris in February 1921, while she was married to the painter and stage designer
Serge Sudeikin, and they began an affair that led to Vera leaving her husband.
In May 1921, Stravinsky and his family moved to Anglet, near
Biarritz, southwestern France. From then until his wife's death in 1939, Stravinsky led a double life, dividing his time between his family in Anglet, and Vera in Paris and on tour. Katya reportedly bore her husband's infidelity "with a mixture of magnanimity, bitterness, and compassion".
In September 1924, Stravinsky bought "an expensive house" in Nice: the Villa des Roses.
The Stravinskys became French citizens in 1934 and moved to the
rue du Faubourg Saint-Honoré in Paris. Stravinsky later remembered this last European address as his unhappiest, as his wife's tuberculosis infected both himself and his eldest daughter Ludmila, who died in 1938. Katya, to whom he had been married for 33 years, died of tuberculosis a year later, in March 1939. Stravinsky himself spent five months in hospital, during which time his mother died.
 During his later years in Paris, Stravinsky had developed professional relationships with key people in the United States: he was already working on his
Symphony in C for the
Chicago Symphony Orchestra and he had agreed to deliver the prestigious
Charles Eliot Norton Lectures at
Harvard University during the 1939–40 academic year.
Life in the United States
in New York, where Stravinsky lived at the end of his life
Despite the outbreak of
World War II on 1 September 1939, the widowed Stravinsky sailed (alone) for the United States at the end of the month, arriving in New York City and thence to Cambridge, Massachusetts, to fulfill his engagement at Harvard.
 Vera followed him in January, and they were married in
Bedford, Massachusetts, on 9 March 1940.
Stravinsky settled in
West Hollywood. He spent more time living in Los Angeles than any other city.
 He became a
naturalized United States citizen in 1945.
Stravinsky had adapted to life in France, but moving to America at the age of 57 was a very different prospect. For a while, he maintained a circle of contacts and
emigré friends from Russia, but he eventually found that this did not sustain his intellectual and professional life. He was drawn to the growing cultural life of Los Angeles, especially during World War II, when so many writers, musicians, composers and conductors settled in the area: these included
George Balanchine and
Bernard Holland claimed Stravinsky was especially fond of British writers, who visited him in Beverly Hills, "like
W. H. Auden,
Dylan Thomas. They shared the composer's taste for hard spirits – especially
Aldous Huxley, with whom Stravinsky spoke in French".
 Stravinsky and Huxley had a tradition of Saturday lunches for west coast avant-garde and luminaries.
dominant seventh chord in his arrangement of "
The Star-Spangled Banner" led to an incident with the Boston police on 15 January 1944, and he was warned that the authorities could impose a $100 fine upon any "rearrangement of the national anthem in whole or in part".
 The police, as it turned out, were wrong. The law in question merely forbade using the national anthem "as dance music, as an exit march, or as a part of a medley of any kind", but the incident soon established itself as a myth, in which Stravinsky was supposedly arrested, held in custody for several nights, and photographed for police records.
Stravinsky's professional life encompassed most of the 20th century, including many of its modern classical music styles, and he influenced composers both during and after his lifetime. In 1959, he was awarded the
Sonning Award, Denmark's highest musical honour. In 1962, he accepted an invitation to return to
Leningrad for a series of concerts. During his stay in the USSR, he visited Moscow and met several leading Soviet composers, including
Dmitri Shostakovich and
In 1969, Stravinsky moved to the
Essex House in New York, where he lived until his death in 1971 at age 88 of
 He was buried at
San Michele, close to the tomb of Sergei Diaghilev.
He has a star on the
Hollywood Walk of Fame and in 1987 he was posthumously awarded the
Grammy Award for
Lifetime Achievement. He was posthumously inducted into the
National Museum of Dance's Mr. & Mrs. Cornelius Vanderbilt Whitney Hall of Fame in 2004.