EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by
Grey Gull Records, were vertically cut 78
rpm discs known as "2-in-1" records. These had finer than usual grooves, like
Edison Disc Records. By 1949, when the 45 rpm single and 331⁄3 rpm LP were competing formats, seven-inch
45 rpm singles had a maximum playing time of only about four minutes per side.
Partly as an attempt to compete with the LP introduced in 1948 by rival
RCA Victor introduced "Extended Play"
1952. Their narrower grooves, achieved by lowering the cutting levels and sound compression optionally, enabled them to hold up to 7.5 minutes per side—but still be played by a standard 45 rpm
phonograph. These were usually 10-inch LPs (released until the mid-1950s) split onto two seven-inch EPs or 12-inch LPs split onto three seven-inch EPs, either sold separately or together in gatefold covers. This practice became much less common with the advent of triple-speed-available phonographs.
classical music albums released at the beginning of the LP era were also distributed as EP albums—notably, the seven operas that
Arturo Toscanini conducted on
radio between 1944 and 1954. These opera EPs, originally broadcast on the
NBC Radio network and manufactured by RCA, which owned the NBC network then, were made available both in 45 rpm and 331⁄3 rpm. In the 1990s, they began appearing on compact discs. RCA also had success in the format with their top money earner,
Elvis Presley, issuing 28 Elvis EPs between
1967, many of which topped the separate
Billboard EP chart during its brief existence.
1950s, RCA published several EP albums of
Walt Disney movies, containing both the story and the songs. These usually featured the original casts of
actresses. Each album contained two seven-inch records, plus a fully illustrated booklet containing the text of the recording, so that children could follow along by reading. Some of the titles included
Snow White and the Seven Dwarfs (1937),
Pinocchio (1940), and what was then a recent release, the movie version of
20,000 Leagues Under the Sea that was
presented in 1954. The recording and publishing of 20,000 was unusual: it did not employ the movie's cast, and years later, a 12 in 33⅓ rpm album, with a nearly identical script, but another different cast, was sold by
Disneyland Records in conjunction with the re-release of the movie in 1963.
Because of the popularity of 7" and other formats, SP (78 rpm, 10") records became less popular and the production of SPs in
Japan was suspended in 1963.
In the 1950s and 1960s, EPs were usually compilations of singles or album samplers and were typically played at 45 rpm on seven-inch (18 cm) discs, with two songs on each side.
 Other than those published by RCA, EPs were relatively uncommon in the
United States and
Canada, but they were widely sold in the
United Kingdom, and in some other European countries, during the 1950s and 1960s.
Record Retailer printed the first EP chart in 1960. The
New Musical Express (NME),
Disc and Music Echo and the Record Mirror continued to list EPs on their respective singles charts.
Twist and Shout outsold most singles for some weeks in 1963. When the
BBC and Record Retailer commissioned the
British Market Research Bureau (BMRB) to compile a chart it was restricted to singles and EPs disappeared from the listings.
Philippines, seven-inch EPs marketed as "
mini-LPs" (but distinctly different from the mini-LPs of the 1980s) were introduced in 1970, with tracks selected from an album and packaging resembling the album they were taken from.
 This mini-LP format also became popular in America in the early 1970s for promotional releases, and also for use in
Stevie Wonder included a bonus four-song EP with his double LP
Songs in the Key of Life in 1976. During the 1970s and 1980s, there was less
standardization and EPs were made on seven-inch (18 cm), 10-inch (25 cm) or 12-inch (30 cm) discs running either 331⁄3 or 45 rpm. Some
novelty EPs used odd shapes and colors, and a few of them were
Alice in Chains was the first band to ever have an EP reach number one on the
Billboard album chart. Its EP,
Jar of Flies, was released on January 25, 1994. In 2004,
Linkin Park and
Jay-Z's collaboration EP,
Collision Course, was the next to reach the number one spot after Alice in Chains. In 2010, the cast of the television series
Glee became the first artist to have two EPs reach number one, with
Glee: The Music, The Power of Madonna on the week of May 8, 2010, and
Glee: The Music, Journey to Regionals on the week of June 26, 2010.
Warner Bros. Records revived the format with their "Six-Pak" offering of six songs on a compact disc.