Evita (musical)

Evita
Evita 1978 Prince Edward Theatre.jpg
Programme from the original West End Production at the Prince Edward Theatre
MusicAndrew Lloyd Webber
LyricsTim Rice
BookTim Rice
BasisThe life of Eva Perón
Productions1976 Concept album
1978 West End
1979 Broadway
1996 UK Tour
1996 Film
2006 West End Revival
2008 UK Tour
2010 UK Tour
2012 Broadway Revival
2013 US Tour
2014 UK Tour
2014 West End Revival
2017 UK Tour
2017 West End Revival
2017 International Tour
2018 Australia Tour
2018 UK Tour
2019 Regent's Park Open Air Theatre
2019 New York City Center
AwardsLaurence Olivier Award for Best New Musical
Tony Award for Best Musical
Tony Award for Best Book of a Musical
Tony Award for Best Original Score

Evita is a musical with music by Andrew Lloyd Webber and lyrics and book by Tim Rice. It concentrates on the life of Argentine political leader Eva Perón, the second wife of Argentine President Juan Perón. The story follows Evita's early life, rise to power, charity work, and eventual death.

The musical began as a rock opera concept album released in 1976. Its success led to productions in London's West End in 1978, winning the Laurence Olivier Award for Best Musical, and on Broadway a year later, where it was the first British musical to receive the Tony Award for Best Musical.

This has been followed by a string of professional tours and worldwide productions and numerous cast albums, as well as a major 1996 film adaptation of the musical starring Madonna and Antonio Banderas. The musical was revived in London in 2006, and on Broadway in 2012, and toured the UK again in 2013–14 before running for 55 West End performances at the Dominion Theatre in September–October 2014.

Synopsis

Abigail Jaye as Evita (Gaiety Theatre, Dublin, 2010)

Act I

On 26 July 1952, a crowd in Buenos Aires, Argentina is watching a film ("A Cinema in Buenos Aires, 26 July 1952") that is interrupted when news breaks of the death of First Lady Eva Perón. Both the crowd and the nation go into public mourning ("Requiem for Evita") as Ché, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing, for years" ("Oh What a Circus").

In 1934, 15-year-old Eva Duarte lives in the provincial town of Junín, and longs to seek a better life in Buenos Aires. Eva falls in love with a tango singer, Agustín Magaldi, after she meets him at one of his shows ("On This Night of a Thousand Stars"). Eva persuades Magaldi to take her with him to Buenos Aires and though he is initially resistant, he eventually accepts ("Eva, Beware of the City"). Upon her arrival at the city, Eva sings about her hopes and ambitions of glory as an actress ("Buenos Aires"). After her arrival, Eva is quick to leave Magaldi, and Che relates the story of how Eva sleeps her way up the social ladder, becoming a model, radio star, and actress ("Goodnight and Thank You"). He then tells of both a right-wing coup in 1943 and Eva's success, implying that Argentine politics and Eva's career may soon coincide. Che also makes a point to introduce the figure of Colonel Juan Domingo Perón, an ambitious military colonel who was making his way up the Argentine political ladder ("The Lady's Got Potential"). In a game of musical chairs that represents the rise of political figures, Perón and other military figures compete for power and exhibit their political strategy ("The Art of the Possible").

After a devastating earthquake hits the town of San Juan, Perón organizes a charity concert at Luna Park to provide aid to the victims. Eva attends and briefly reunites with Agustín Magaldi, who coldly shuns her for her past actions. Perón addresses the crowd with words of encouragement and leaps off the stage, meeting Eva as soon as he exits ("Charity Concert"). Eva and Perón share a secret rendezvous following the charity concert, where Eva hints that she could help Perón rise to power ("I'd Be Surprisingly Good For You"). Eva dismisses Perón's Mistress (the character is known only by that title), who ponders the rejection ("Another Suitcase in Another Hall").

Upon moving in with Perón, Eva is introduced to high society only to be met with disdain from the upper classes and the Argentine Army ("Perón's Latest Flame"). In 1946, after launching his presidential bid, Perón discusses his chances of winning the election with Eva. After reassuring him of their chances of winning, Eva organizes rallies for the descamisados and gives them hope for a better future while Perón and his allies plot to dispose of anyone who stands in their way ("A New Argentina").

During the period between Act I and Act II, Eva and Perón are married – a fact merely alluded to, in the "Casa Rosada balcony" scene, at the start of Act II.

Act II

Perón is elected President in a sweeping victory in 1946. He stands "On The Balcony of the Casa Rosada" addressing his descamisados (shirtless ones). Eva speaks from the balcony of the Presidential Palace to her adoring supporters, where she reveals that despite her initial goal of achieving fame and glory, she has found her true calling to be the people of her country ("Don't Cry for Me, Argentina"). Che analyses the price of fame as Eva dances at the Inaugural Ball with Perón, now the president-elect ("High Flying, Adored").

Eva insists on a glamorous image to impress the people of Argentina and promote Perónism. She prepares to tour in Europe as she is dressed for success by her fashion consultants ("Rainbow High"). Her famous 1946 tour meets with mixed results ("Rainbow Tour"); Spaniards adore her, but the Italians liken her husband to Benito Mussolini. France is impressed, and the English snub her by inviting her to a country estate, rather than Buckingham Palace. Eva affirms her disdain for the upper class, while Che asks her to start helping those in need as she promised ("The Actress Hasn't Learned the Lines (You'd Like to Hear)"). Eva begins the Eva Perón Foundation to direct her charity work. Che describes Eva's controversial charitable work, and possible money laundering ("And the Money Kept Rolling In (And Out)").

Eva appears at a church to take the sacrament in front of her adoring supporters ("Santa Evita"), but passes out suddenly, and while unconscious, appears to have a dream that reflects upon the conflicting views of her life. In her dream, she and Che heatedly debate her actions; Che accuses Eva of using the Argentine people for her own ends, while Eva cynically replies that there is no glory in trying to solve the world's problems from the sidelines ("A Waltz for Eva and Che"). At the end of the argument, Eva finally admits to herself and Che that she is dying and can't go on for much longer. Che points out the disastrous results of Perón's policies on Argentina: its treasury is bankrupt, its once-thriving beef industry under rationing, and the press and other critics of the regime muzzled.

Perón's generals finally get sick of Eva's meddling and demand that Perón force her to leave politics. However, Perón objects and claims that if it wasn't for her, they would never have achieved as much as they have ("She Is a Diamond"). But he also concedes that she won't be able to keep working for long as she will soon succumb to her cancer. Even so, Eva is determined to run for Vice President, and Perón fears that the military will stage a coup if she runs and that Eva's health is too delicate for any stressful work, but Eva insists that she can continue, despite her failing health ("Dice Are Rolling/Eva's Sonnet").

Realizing that she is close to death, Eva renounces her pursuit of the vice presidency and swears her eternal love to the people of Argentina ("Eva's Final Broadcast"). Eva's achievements flash before her eyes before she dies ("Montage"), and she asks for forgiveness, contemplating her choice of fame instead of long life ("Lament"). Eva dies, and embalmers preserve her body forever. Che notes that a monument was set to be built for Evita but "only the pedestal was completed when Evita's body disappeared for 17 years..."

Other Languages
български: Евита (мюзикъл)
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eesti: Evita
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italiano: Evita (musical)
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Simple English: Evita (musical)
中文: 艾薇塔