Lear was born into a middle-class family at
Holloway, North London, the penultimate of twenty-one children (and youngest to survive) of Ann Clark Skerrett and Jeremiah Lear.
 He was raised by his eldest sister, also named Ann, 21 years his senior. Owing to the family's limited finances, Lear and his sister were required to leave the family home and live together when he was aged four. Ann doted on Edward and continued to act as a mother for him until her death, when he was almost 50 years of age.
Lear suffered from lifelong health afflictions. From the age of six he suffered frequent grand mal
epileptic seizures, and
asthma, and during later life, partial blindness. Lear experienced his first seizure at a fair near Highgate with his father. The event scared and embarrassed him. Lear felt lifelong guilt and shame for his epileptic condition. His adult diaries indicate that he always sensed the onset of a seizure in time to remove himself from public view. When Lear was about seven years old he began to show signs of depression, possibly due to the instability of his childhood. He suffered from periods of severe
melancholia which he referred to as "the Morbids."
Lear was already drawing "for bread and cheese" by the time he was aged 16 and soon developed into a serious "ornithological draughtsman" employed by the
Zoological Society and then from 1832 to 1836 by the
Earl of Derby, who kept a private menagerie at his estate,
Knowsley Hall. He was the first major bird artist to draw birds from real live birds, instead of skins. Lear's first publication, published when he was 19 years old, was
Illustrations of the Family of Psittacidae, or Parrots in 1830.
 One of the greatest ornithological artists of his era, he taught Elizabeth Gould whilst also contributing to
John Gould's works and was compared favourably with the naturalist
John James Audubon. Unfortunately his eyesight deteriorated too much to work with such precision on the fine drawings and etchings of plates used in lithography, thus he turned to landscape painting and travel.
Among other travels, he visited
Egypt during 1848–49, and toured India during 1873–75, including a brief detour to Ceylon. While travelling he produced large quantities of coloured
wash drawings in a distinctive style, which he converted later in his studio into oil and
watercolour paintings, as well as prints for his books.
 His landscape style often shows views with strong sunlight, with intense contrasts of colour.
Between 1878 and 1883 Lear spent his summers on
Monte Generoso, a mountain on the border between the
Swiss canton of
Ticino and the Italian region of
The Plains of Lombardy from Monte Generoso is in the
Ashmolean Museum in the English
city of Oxford.
Throughout his life he continued to paint seriously. He had a lifelong ambition to illustrate
Tennyson's poems; near the end of his life a volume with a small number of illustrations was published.
Illustrated Excursions in Italy (1842-46)
In 1842 Lear began a journey into the
Italian peninsula, travelling through the
Sicily. In personal notes, together with drawings, Lear gathered his impressions on the Italian way of life, folk traditions, and the beauty of the ancient monuments. Of particular interest to Lear was the
Abruzzo, which he visited in 1843, through the
Marsica (Celano, Avezzano,
Alba Fucens, Trasacco) and the plateau of Cinque Miglia (
Castel di Sangro and Alfedena), by an old sheep track of the shepherds.
Lear drew a sketch of the medieval village of Albe with Mount Sirente, and described the medieval village of Celano, with the castle of Piccolomini dominating the vast plain of Lago Fucino, which was drained a few years later to promote agricultural development. At Castel di Sangro, Lear described the winter stillness of the mountains and the beautiful basilica.
Composer and musician
Lear played the accordion, flute, and guitar, but primarily the piano. He composed music for many Romantic and Victorian poems, but was known mostly for his many musical settings of Tennyson's poetry. He published four settings in 1853, five in 1859, and three in 1860. Lear's were the only musical settings that Tennyson approved of. Lear also composed music for many of his nonsense songs, including "The Owl and the Pussy-cat," but only two of the scores have survived, the music for "The Courtship of the Yonghy-Bonghy-Bò" and "The Pelican Chorus." While he never played professionally, he did perform his own nonsense songs and his settings of others' poetry at countless social gatherings, sometimes adding his own lyrics (as with the song "The Nervous Family"), and sometimes replacing serious lyrics with nursery rhymes.
Lear's most fervent and painful friendship was with Franklin Lushington. He met the young barrister in Malta in 1849 and then toured southern Greece with him. Lear developed an infatuation for him that Lushington did not wholly reciprocate. Although they remained friends for almost forty years, until Lear's death, the disparity of their feelings constantly tormented Lear. Indeed, Lear's attempts at male companionship were not always successful; the very intensity of Lear's affections may have doomed these relationships.
The closest he came to marriage was two proposals, both to the same woman 46 years his junior, which were not accepted. For companions he relied instead on friends and correspondents, and especially, during later life, on his Albanian
Souliote chef, Giorgis, a faithful friend and, as Lear complained, a thoroughly unsatisfactory chef.
 Another trusted companion in San Remo was his cat, Foss, who died in 1886 and was buried with some ceremony in a garden at Villa Tennyson.
San Remo and death
Lear travelled widely throughout his life and eventually settled in
San Remo, on his beloved Mediterranean coast, in the 1870s, at a villa he named "Villa Tennyson."
Lear was known to introduce himself with a long pseudonym: "Mr Abebika kratoponoko Prizzikalo Kattefello Ablegorabalus Ableborinto phashyph" or "Chakonoton the Cozovex Dossi Fossi Sini Tomentilla Coronilla Polentilla Battledore & Shuttlecock Derry down Derry Dumps" which he based on
After a long decline in his health, Lear died at his villa in 1888 of
heart disease, from which he had suffered since at least 1870. Lear's funeral was said to be a sad, lonely affair by the wife of Dr. Hassall, Lear's physician, none of Lear's many lifelong friends being able to attend.
Lear is buried in the Cemetery Foce in San Remo. On his headstone are inscribed these lines about Mount Tomohrit (in Albania) from Tennyson's poem To E.L. [Edward Lear], On His Travels in Greece:
- all things fair.
- With such a pencil, such a pen.
- You shadow'd forth to distant men,
- I read and felt that I was there.
The centenary of his death was marked in Britain with a set of Royal Mail stamps in 1988 and an exhibition at the
Royal Academy. Lear's birthplace area is now marked with a plaque at Bowman's Mews, Islington, in London, and his bicentenary during 2012 was celebrated with a variety of events, exhibitions and lectures in venues across the world including an International Owl and Pussycat Day on his birth anniversary.